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Look Out. This is Extremely Gory, Guaranteed.
The sequel couldn’t match the predecessor, My Heart is a Chainsaw, in several ways. While the high body count and mystery were engaging, the characters felt lackluster. Reading the sequel without the first book results in confusion due to many references. The book fell short of the predecessor’s impact, earning

Ninth House – Promising Plot, Really Unusual Execution
Despite an intriguing premise, the plot drags with excessive filler, only improving near the end. Characters are not memorable, and the use of magic is unimaginative. I am sadly hesitant to explore Bardugo’s other works.

Gray After Dark – Jaw-Dropping Survival Story of the Year
A terrifying, suspenseful read that will have you rooting for more than just the abducted Miley. An unforgettable cast of characters to adore and a few to despise makes for a jaw-dropping rollercoaster of emotions. Plot Summary Miley, an Olympic biathlete, is working a summer job at a lodge in

What Feasts at Night – Scarce Horror, Poor Plot, Better Characters
The sequel, “What Feasts at Night,” delivers an underwhelming experience compared to its predecessor “What Moves the Dead.” The plot is slow-paced and lacks horror, mostly focusing on backstory and failing to build tension. While characters are engaging, the plot is uninspired, resulting in a 2.5-star rating.

What Moves the Dead – Unique, Wondrous Horror You Need Tonight
What Moves the Dead by T. Kingfisher is a novella that reimagines Poe’s The Fall of the House of Usher. The novella expands on the characters, setting, and terror, adding depth to Poe’s classic. The reviewer praises Kingfisher’s storytelling and modern touches, making it a compelling read for fans of

Kill For Me, Kill For You – A Thriller
In “Kill For Me, Kill For You,” inspired by Hitchcock’s “Strangers on a Train,” two New Yorkers, Amanda and Wendy, agree to commit murders for each other after meeting in a support group. The novel unfolds through various perspectives, challenging the reader to distinguish between reliable and unreliable narratives. Initially